{"id":75774,"date":"2026-02-23T20:33:54","date_gmt":"2026-02-23T20:33:54","guid":{"rendered":"https:\/\/litci.org\/en\/?p=75774"},"modified":"2026-02-23T20:33:56","modified_gmt":"2026-02-23T20:33:56","slug":"album-review-days-of-ash-by-u2","status":"publish","type":"post","link":"https:\/\/litci.org\/en\/album-review-days-of-ash-by-u2\/","title":{"rendered":"Album review: \u2018Days of Ash\u2019 by U2"},"content":{"rendered":"\n<h2 class=\"wp-block-heading\"><\/h2>\n\n\n\n<p><\/p>\n\n\n\n<p>Veteran Irish rockers U2 are back with a 23-minute, six-song EP that is here to face the dark and chaotic times we find ourselves in. Or at least, that\u2019s clearly what U2 believes and wants you to think. The reality is that U2\u2019s listless liberal, pacifist, religious politics are less poignant than ever, and the band retreads similar sonic ground to prior work that is less able to make up for the lyrics\u2019 weaknesses than it did in the \u201980s.<\/p>\n\n\n\n<p><\/p>\n\n\n\n<p>U2 are no strangers to political music. \u201cSunday Bloody Sunday,\u201d the band\u2019s breakout hit from the 1983 album <em>War, <\/em>is a direct expression of shock and dismay at the actions of British soldiers opening fire on an unarmed protest in Derry, Northern Ireland. The song\u2019s iconic military drum attack and symphonic electric guitar composition made it an instant hit as its lyrics struck a chord with the public.<\/p>\n\n\n\n<p><\/p>\n\n\n\n<p>But even then, as young people living at the geographic epicenter of The Troubles (although it cannot be said that they themselves suffered much oppression, as the band formed at a Protestant state school, and half the band is of British origin), their politics were essentially pacifist, and the closest thing the song has to a call to action is an appeal to specifically Christian brotherhood (\u201cHow long, how long must we sing this song\/How long, to win the war that Jesus won\u201d).<\/p>\n\n\n\n<p><\/p>\n\n\n\n<p>The band, and particularly frontman Bono, would go on to be outspoken against apartheid in South Africa and criticize oppression and war on various songs\u2014including a condemnation of U.S. intervention in Nicaragua on \u201cBullet the Blue Sky.\u201d They have frequently engaged in activism around HIV\/AIDS as well as being outspoken against poverty and hunger around the world. Their main mode of political action, however, is distinctly ruling class\u2014donate money and make nice with celebrities and the leaders of imperialist countries.<\/p>\n\n\n\n<p><\/p>\n\n\n\n<p>So perhaps it\u2019s no surprise that U2 would weigh in on today\u2019s political moment. In a certain sense, it\u2019s maybe worth applauding that household name superstars are writing songs about the murder of Renee Good. But the message of U2\u2019s song to that effect, \u201cAmerican Obituary\u201d is \u201cI love you more\/than hate loves war\u201d and \u201cAmerica will rise\/against the people of the lie.\u201d Somehow, I don\u2019t think either of these will become the next \u201cel pueblo unido, jam\u00e1s ser\u00e1 vencido.\u201d<\/p>\n\n\n\n<p><\/p>\n\n\n\n<p>Regrettably, the political content is only downhill from the opening track. \u201cThe Tears of Things\u201d runs circles of Biblical allusions to pray to God (the Christian one) for an end to holy wars, but for some reason the only specific conflict that Bono mentions in the lyrics besides David and Goliath is \u2026 the Holocaust, with \u201cSix million voices silenced in just four years.\u201d After 50-odd years, the quintessential \u201980s stadium rock band has finally addressed the most well-known genocide in history. Antisemites, your days are numbered!<\/p>\n\n\n\n<p><\/p>\n\n\n\n<p>Perhaps nothing sums up the milquetoast politics of <em>Days of Ash<\/em> better than its fourth track, \u201cWildpeace,\u201d based on a poem written by Israeli soldier turned poet Yehuda Amichai in 1971, arguably turning the album into a BDS violation. \u201cAt least he wanted peace,\u201d you could say, and Amichai was certainly tired of war. But is it any surprise that a former soldier of a military occupation wanted \u201cA peace \/ without the big noise of beating swords into ploughshares \/ without words, without \/ the thud of the heavy rubber stamp: let it be \/ light, floating, like lazy white foam.\u201d How nice it would be for a foot soldier of apartheid to be able to just forget and let everything slip into the past!<\/p>\n\n\n\n<p><\/p>\n\n\n\n<p>This is the same peace, \u201cthe absence of tension\u201d that Martin Luther King named and denounced so many decades ago. But U2 finds it compelling, apparently, and dresses up the poem in an electronic soundscape that could charitably be called \u201cexperimental,\u201d and has the words be recited by Nigerian-French singer Adeola.<\/p>\n\n\n\n<p><\/p>\n\n\n\n<p>Does <em>Days of Ash<\/em> make up for its political weaknesses with compelling musical compositions? In a word, no. While nothing on the album is pointedly terrible, the music plays like a remix of the blander moments of the last 30 years of U2. There\u2019s no riff on this album that you haven\u2019t heard before, if not on a past U2 album, then on an album by Muse. The one exception is the final track, \u201cYours Eternally,\u201d which features Ed Sheeran and Ukrainian artist Taras Topolia, and somehow manages to sound more like a One Direction song than any of the more varied output Sheeran has produced in the last decade.<\/p>\n\n\n\n<p><\/p>\n\n\n\n<p>Ultimately, <em>Days of Ash<\/em> is not worth your time. While it is in a sense good that big name pop stars are writing and releasing music that is critical of the current political crisis while appealing to the idea of large groups of people resisting authority, at least abstractly, that doesn\u2019t mean it\u2019s important for you to listen to it. At least this time around, U2 was nice enough to give people that option, instead of automatically putting it on every iPhone and iTunes library\u2014like last time.<\/p>\n\n\n\n<p><\/p>\n\n\n\n<p><em>First published <a href=\"https:\/\/workersvoiceus.org\/2026\/02\/22\/album-review-days-of-ash-by-u2\/\" target=\"_blank\" rel=\"noopener\">here<\/a> by <a href=\"https:\/\/workersvoiceus.org\/\" target=\"_blank\" rel=\"noopener\">Workers&#8217; Voice<\/a><\/em><\/p>\n\n\n\n<p><\/p>\n","protected":false},"excerpt":{"rendered":"<p>U2\u2019s listless liberal, pacifist, religious politics are less poignant than ever, and the band retreads similar sonic ground to prior work that is less able to make up for the lyrics\u2019 weaknesses than it did in the \u201980s.<\/p>\n","protected":false},"author":23,"featured_media":75775,"menu_order":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"litci_post_political_author":"Carlos Sapir","_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[6229,2],"tags":[6282,6283,6284,6540,6539],"class_list":["post-75774","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-art-and-culture","category-featured","tag-album","tag-music","tag-review","tag-song","tag-u2"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v26.9 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Album review: \u2018Days of Ash\u2019 by U2 - International Worker&#039;s League<\/title>\n<meta name=\"description\" content=\"Well, at least they asked for permission this time...\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/litci.org\/en\/album-review-days-of-ash-by-u2\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta 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